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	<title>Comments on: Copyright and Freedom of Speech</title>
	<atom:link href="http://archive.mises.org/2708/copyright-and-freedom-of-speech/feed/" rel="self" type="application/rss+xml" />
	<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/</link>
	<description>Proceeding Ever More Boldly Against Evil</description>
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		<title>By: Vanmind</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7957</link>
		<dc:creator>Vanmind</dc:creator>
		<pubDate>Tue, 09 Nov 2004 21:20:20 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7957</guid>
		<description><![CDATA[Wow.  Katie must love her life and her lithium.

Here&#039;s one that&#039;s free to pass around (because I wrote it but claim no copyright):

&quot;Open eyes purge lies.&quot;]]></description>
		<content:encoded><![CDATA[<p>Wow.  Katie must love her life and her lithium.</p>
<p>Here&#8217;s one that&#8217;s free to pass around (because I wrote it but claim no copyright):</p>
<p>&#8220;Open eyes purge lies.&#8221;</p>
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		<title>By: David Heinrich</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7914</link>
		<dc:creator>David Heinrich</dc:creator>
		<pubDate>Tue, 09 Nov 2004 15:55:53 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7914</guid>
		<description><![CDATA[Vanmind,

Now that is definately quotable. Another one-liner I liked:&lt;BLOCKQUOTE&gt;&quot;When I saw that dead and dying Afghani children on TV, I felt a renewed sense of national security. God Bless America.&quot; -- Katie Sierra&lt;/BLOCKQUOTE&gt;]]></description>
		<content:encoded><![CDATA[<p>Vanmind,</p>
<p>Now that is definately quotable. Another one-liner I liked:<br />
<blockquote>&#8220;When I saw that dead and dying Afghani children on TV, I felt a renewed sense of national security. God Bless America.&#8221; &#8212; Katie Sierra</p></blockquote>
]]></content:encoded>
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		<title>By: Michael A. Clem</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7911</link>
		<dc:creator>Michael A. Clem</dc:creator>
		<pubDate>Tue, 09 Nov 2004 14:51:27 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7911</guid>
		<description><![CDATA[  The flip side to Walt Disney is any number of less successful creators whose works are languishing in obscurity, but would still find their niches if copyright law didn&#039;t artificially raise the costs of making these works available to the public.
]]></description>
		<content:encoded><![CDATA[<p>  The flip side to Walt Disney is any number of less successful creators whose works are languishing in obscurity, but would still find their niches if copyright law didn&#8217;t artificially raise the costs of making these works available to the public.</p>
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		<title>By: Vanmind</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7899</link>
		<dc:creator>Vanmind</dc:creator>
		<pubDate>Tue, 09 Nov 2004 11:20:19 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7899</guid>
		<description><![CDATA[I wasn&#039;t aware that Moses created the commandments.

Still, I get what you&#039;re saying.  Maybe when Jesus makes his second coming he&#039;ll take us all to court...]]></description>
		<content:encoded><![CDATA[<p>I wasn&#8217;t aware that Moses created the commandments.</p>
<p>Still, I get what you&#8217;re saying.  Maybe when Jesus makes his second coming he&#8217;ll take us all to court&#8230;</p>
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		<title>By: David Heinrich</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7857</link>
		<dc:creator>David Heinrich</dc:creator>
		<pubDate>Mon, 08 Nov 2004 17:42:54 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7857</guid>
		<description><![CDATA[Michael,

Apparently, for his grandkids and great-great-grandkits. I guess copyrights should last forever. Moses better start suing all those thieving schein who are violating his copyright on the 10 commandments.

--Dave]]></description>
		<content:encoded><![CDATA[<p>Michael,</p>
<p>Apparently, for his grandkids and great-great-grandkits. I guess copyrights should last forever. Moses better start suing all those thieving schein who are violating his copyright on the 10 commandments.</p>
<p>&#8211;Dave</p>
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		<title>By: Ohhh Henry</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7856</link>
		<dc:creator>Ohhh Henry</dc:creator>
		<pubDate>Mon, 08 Nov 2004 16:37:26 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7856</guid>
		<description><![CDATA[Walt Disney movies, and I guess most all kinds of American pop culture, are prized the way some countries prize their ancient temples or national literature.  This movement to extend copyright is similar to what would happen if the Greeks tried to put a copyright on the Iliad, or ban the export of the marble friezes on the Parthenon.  About as effective too.

What the would-be cultural protectors don&#039;t understand, is that a culture is either alive, or dead.  Living cultures don&#039;t hold any strong attachment to what they valued in the past, because they are too busy creating and living in their own contemporary culture.  Dead and dying cultures go to extraordinary effort to try to preserve their cultural remnants, because of the inescapable feeling that things are not as good anymore as they used to be, and are not likely to improve anytime soon.

Imagine what disgust the old builders of Venice would feel, if they could see their wimpy, socialist descendants trying to preserve and shore up the decaying, centuries-old palaces.  &quot;Why don&#039;t you get rich in business, and build yourself a beautiful new palace?&quot; they would ask.

A culture is dead the second that a government starts taking steps to preserve it.
]]></description>
		<content:encoded><![CDATA[<p>Walt Disney movies, and I guess most all kinds of American pop culture, are prized the way some countries prize their ancient temples or national literature.  This movement to extend copyright is similar to what would happen if the Greeks tried to put a copyright on the Iliad, or ban the export of the marble friezes on the Parthenon.  About as effective too.</p>
<p>What the would-be cultural protectors don&#8217;t understand, is that a culture is either alive, or dead.  Living cultures don&#8217;t hold any strong attachment to what they valued in the past, because they are too busy creating and living in their own contemporary culture.  Dead and dying cultures go to extraordinary effort to try to preserve their cultural remnants, because of the inescapable feeling that things are not as good anymore as they used to be, and are not likely to improve anytime soon.</p>
<p>Imagine what disgust the old builders of Venice would feel, if they could see their wimpy, socialist descendants trying to preserve and shore up the decaying, centuries-old palaces.  &#8220;Why don&#8217;t you get rich in business, and build yourself a beautiful new palace?&#8221; they would ask.</p>
<p>A culture is dead the second that a government starts taking steps to preserve it.</p>
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	<item>
		<title>By: Michael A. Clem</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7852</link>
		<dc:creator>Michael A. Clem</dc:creator>
		<pubDate>Mon, 08 Nov 2004 15:00:09 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7852</guid>
		<description><![CDATA[  Walt Disney&#039;s long dead--just who is this extended copyright protection supposed to be for?  His great grandkids?]]></description>
		<content:encoded><![CDATA[<p>  Walt Disney&#8217;s long dead&#8211;just who is this extended copyright protection supposed to be for?  His great grandkids?</p>
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	<item>
		<title>By: David Heinrich</title>
		<link>http://archive.mises.org/2708/copyright-and-freedom-of-speech/comment-page-1/#comment-7848</link>
		<dc:creator>David Heinrich</dc:creator>
		<pubDate>Mon, 08 Nov 2004 12:59:38 +0000</pubDate>
		<guid isPermaLink="false">http://blog.mises.org/archives/002708.asp#comment-7848</guid>
		<description><![CDATA[Great commentary. One relevant issue is the 1998 copyright act, which retroactively extended copyrights to much longer terms. Thus, due to the lobbying of Disney, copyrighted works that were going to become public domain got an additional many years. This goes to show that no &quot;agreement&quot; with or &quot;arrangement&quot; with the State, no promise made by the State, can ever be taken seriously or counted on.]]></description>
		<content:encoded><![CDATA[<p>Great commentary. One relevant issue is the 1998 copyright act, which retroactively extended copyrights to much longer terms. Thus, due to the lobbying of Disney, copyrighted works that were going to become public domain got an additional many years. This goes to show that no &#8220;agreement&#8221; with or &#8220;arrangement&#8221; with the State, no promise made by the State, can ever be taken seriously or counted on.</p>
]]></content:encoded>
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